RENAISSANCE AND MANNERISM C, Td&O-C. l6oO

62. GIACOMO VIGNOLA'S DESIGN FOR THE FRONT OF THE GESU.
yet another instance of the post-Renaissance return to mediaeval
ideals—another, after the revival of Catholic faith which showed
itself in the new Saints and the new Orders, after the Gothic curve
of the dome of St. Peter s and the reintroduction of a longitudinal
W8