A COMPARISON

of French pilgrimage churches (page 24), the school of Cologne (page
27) and relations forward and backward between Rhineland and
Lombardy (page 27).

In the chapter on Early and High Gothic the wonderfully logical de-
velopment from St. Denis to Chartres, Rheims and Amiens via Sens,
Noyon, Laon and Paris is described in words and drawings on pages 39
to 46.

Regarding the Italian Renaissance, pages 82 and 83 have a paragraph
or two on late Brunelleschi and Michelozzo, followed by several pages on
the evolution of central planning through the I5th century, with due stress
on Filarete and Milan. Then apropos Alberti a little is put in on page 88
about the Palazzo Venezia and the Palace of Urbino and about such
combinations of longitudinal with central conceptions as Faenza. Bra-
mante's early work in Milan has also received a little more attention
(page 95). For Italian Mannerism I have largely taken over, by kind
permission of Messrs. Roudedge, what I had written in the first volume
of The Mint. The Italian Baroque could stay as it was, except for some
paragraphs withrdrawings on oval and kindred plans (pages 124 and 125).

Coming now to France and England since the Renaissance, pages 152
and 153 contain something on theoretical books of the i6th century, and
pages 162 to 165 a good deal on Paris buildings between 1600 and 1660,
Levau and Antoine Lepautre for instance. On page 176 some comment
can be read on the coming and characteristics of the Rococo in France.
After that there are only two more additions worth mentioning: a page
or so on the historical revivals after 1830 in England and on the Con-
tinent (pages 202 to 205), and half a page on the two great contemporaries
of Morris and Norman Shaw, on H. H. Richardson and Philip Webb
(pages 207 to 209).

N. P.

228